Rebecca L. Rovit


Rebecca Rovit
  • Associate Professor
  • Script Analysis, Theatre History, Modern European Drama, Jewish Artistic production in Nazi Germany, Theatre and Genocide.
She/her

Contact Info

Office:
Murphy Hall, Room 228

Biography

Rebecca Rovit joined the KU faculty in August 2009. She teaches Script Analysis, Theatre History, and topics related to historiography, cultural memory, modern European theatre, and performance and genocide at the undergraduate and graduate levels.
Dr. Rovit is currently a Fulbright Specialist (2018-2023) of “Theatre and Genocide” within the broader category of Peace and Conflict Resolution Studies. In summer 2019, she was affiliated with the University of Vienna (Department of Theatre, Film, and Media Studies), where she taught MA students, using the city of Vienna as a site for embodied remembrance of the Holocaust. She also organized a symposium on “Memorializing Genocide” and the Performing Arts. This was a return visit to Austria under the auspices of the US Fulbright program.
During 2016-17 Dr. Rovit was a Fulbright-IFK Senior Fellow in Cultural Studies in Vienna. She is working on her second major book that examines German-language theatre performance in the direct aftermath of World War II, titled "Theatre from the Rubble of War in Berlin and Vienna, 1945-55" for which she received a KU Hall Center of Humanities Resident Faculty Fellowship in Fall 2020. Her comparative study builds on her research expertise that explores the cultural heritage of the Holocaust (1933-1945), including art produced by prisoner-artists in situ and the role of the performing arts under duress: within Nazi Germany, and in ghetto and camp settings. Her 2012 micro-history, The Jewish Kulturbund Theatre Company in Nazi Berlin( Iowa University Press) was designated by Choice Magazine as an Outstanding Academic Title for 2013. She co-edited (with Alvin Goldfarb), Theatrical Performance during the Holocaust: Texts, Documents, Memoirs (The Johns Hopkins University Press, 1999), a Finalist for the National Jewish Book Award. Her numerous publications appear in such journals as American Theatre, PAJ, TDR, Theatre Survey, the Journal of Dramatic Theory and Criticism, The Journal of Holocaust and Genocide Studies, and Theatre History Studies. Dr. Rovit was the Editor for the Journal of Dramatic Theory and Criticism, 2015-2018, and now serves on the Advisory Board for the journal. She also served as guest editor for the journal with a special section on Witnessing History, Performing Trauma (Spring 2013).
Dr. Rovit has received research fellowships from the U.S. Fulbright Scholar Program (to Austria), the American Philosophical Society; the American Council of Learned Societies, the U.S. Holocaust Memorial Museum; the Deutscher Akademische Austauchsdienst, and The Jewish Memorial Foundation for Culture; as well as grants from KU's Hall Center for the Humanities, where she co-directed an interdisciplinary seminar for faculty and graduate students on "Facing Genocide and Its Aftermath" (2013-14). In Spring 2016, she was a Visiting Senior Associate at Pembroke College, University of Oxford (UK).
Besides lecturing independently in the U.S. and in Europe, Dr. Rovit has taught courses in theatre history, play analysis, and modern drama at Illinois State University and Indiana University (Bloomington).

She holds a Ph.D. in Theatre History from Florida State University, an MA in German language and literature from the University of Virginia, and a BA from Bucknell University.

*Full CV available upon request.

Research

Rovit Statement of Program of Research/Scholarship

In its broadest aspect, my historical research examines the role of the arts under duress, especially related to genocide and its aftermath. It explores the cultural heritage of the Holocaust, specifically the theatre created by artist-inmates in camp and ghetto settings, as well as directly after war. Accordingly, among my areas of focus are the "aftermath" of the Holocaust to consider (1) the rebuilding of cultural life in the wake of war (2) the theatrical representation of genocide, and (3) how theatre can overcome divisions and re-create community.

My work addresses gaps in the historical record by documenting the specific ways in which theatre existed during the Holocaust. Such representative publications as my "Cultural Ghettoization and Theatre during the Holocaust" (2005) and my monograph (2012), show that art-making by artist-inmates under the threat of censorship, deprivation, and death was not an isolated phenomenon. The Jewish Kulturbund Theatre Company in Nazi Berlin is a microhistory of an all-Jewish theatre company that coexisted with the Nazi regime. My research relies on in-depth archival work, which, in combination with personal interviews of witness-artists, "interrogates" documented cultural history and biography. My analysis extends to play-scripts, production history, audience reception, and the Nazi policy that shaped that history.

My second major book project is comparative in nature and focuses on post-war German-language theatre under multinational military occupation in the aftermath of WWII. In a 2016 article (published in _Theatre History Studies_), I lay the groundwork for the cultural significance of "first responder" theatre-makers in Berlin and Vienna to examine the relationship between their cultural output and the policies by multinational occupation forces that affected the performing arts repertoire. My historiographical inquiry incorporates assumptions from cultural memory and trauma studies as I connect historiographical questions with a theoretically-bolstered methodology to study the renewal of German-language theatre and its reception after genocide and the Cold War.

Research interests:

  • Modern European Drama
  • Jewish Artistic production under Duress
  • Theatre and Genocide
  • Theatre Historiography
  • Cultural Memory
  • Trauma Studies

Teaching

Teaching interests:

  • Script Analysis
  • Theatre History: Theatre and Performance Historiography
  • Theatre & Genocide
  • Cultural Memory and Theatre

Selected Publications

Rovit, R. (2024). Brechtian Resistance and the Third Reich: Günther Weisenborn’s Dramaturgy of the “Placeless Stage”. Brecht Yearbook - Volume 49.
Rovit, R. (2022). Parsing the Jewish Question: Ethical Witnessing, Tabori, and the Theatrical Representation of the Holocaust. Open Wounds. Univ of Michigan Pr. [9780472132843].
Rovit, R., Dalinger, B., Zangl, V. (2018). "Assessing Theatre under Duress: 'Tracking' Theatre Repertoire in the Jewish Kulturbund and in the Camps under National Socialism". B. Dalinger, V. Zangl (Eds.). Theatre under the NS-Regime, 2018, pp. 15-30.. V&R Uni Press, Vandenhoeck & Ruprecht Verlagsgruppe.
Rovit, R. (2016). "Berlin's 'First Responder' Artists, 1945-46: Theatre and Politics from the Rubble.". Theatre History Studies - Volume 35.
Rovit, R., . (2013). "Re-Embodying the Historical Archive of the Wannsee Conference: Trauma and the Moral Imperative". The Journal of Dramatic Theory and Criticism - Issue 2 | Volume 27.
Rovit, R., . (2013). Editor, Witnessing History, Performing Trauma: A Special Section (Introduction, pp. 45-52). The Journal of Dramatic Theory and Criticism - Issue 2 | Volume 27.
Rovit, R., Diner, D. (2012). "Kulturbund Deutscher Juden". D. Diner (Eds.). Enzyklopaedie jüdischer Geschichte und Kultur. (pp. 444-448.). Metzler Verlag.
Rovit, R. (2012). The Jewish Kulturbund Theatre Company in Nazi Berlin. Univ of Iowa Pr. [9781609381240].
Rovit, R. (2005). "Cultural Ghettoization and Theatre during the Holocaust: Performance as a Link to Community". The Journal of Holocaust and Genocide Studies - Issue 3 | Volume 19.
Rovit, R., Goldfarb, A., . (1999). Theatrical Performance during the Holocaust: Texts, Documents, Memoirs. The Johns Hopkins University Press.

Selected Presentations

“Günther Weisenborn’s Dramaturgy of the “Placeless Stage”: Brechtian Resistance and the Third Reich." - International Symposium (wandering” conference): “Bertolt Brecht in Dark Times: Racism, Political Oppression, and Dictatorship” . Location: Tel Aviv, Israel. (12-12-2022).
Camp Commemoration: Embodied Remembrance and Performing Identity at Mauthausen - ASTR Virtual (on "Zoom"). Location: VIRTUAL. (11-30-2020).
“Sustaining Theatre from the Rubble of War: Historiographical Fractures in Berlin and Vienna, 1945-1949” - International Federation for Theatre Research (IFTR) Virtual Working Group, Historiography. Location: ZOOM (Galway, Ireland time). (7-14-2020).
Memorializing Mauthausen: Public Performance in Violated Spaces - American Society of Theatre Research (ASTR). Location: Arlington, Virginia. (11-07-2019).
Facing Genocide in its Aftermath: The Performing Arts & Memorialization. Symposium Organizer and Moderator. Location: University of Vienna (Austria), Institute for Theatre, Film, Media Studies. (6-24-2019).
Arousing Austria’s “Victim Pride”: Memorializing Cultural Violence in Vienna and Thomas Bernhard’s Heldenplatz - Association of Theatre Research (ASTR). Location: San Diego, California. (11-16-2018).
Reclaiming Heimat: Hubs of Exile, Migrating Histories, and Theatre in occupied post-war Vienna - International Federation of Theatre Research (IFTR). Location: Belgrade, Serbia. (7-10-2018).
"Liberated or Occupied Bodies? Central European Memory and Cultural Diplomacy in Post-WWII Vienna." - Imagining an Other "Eastern Europe": Performances of Difference in Central-Eastern Europe, Eurasia, and Russia, ASTR (American Society for Theatre Research). Location: Atlanta (GA). (11-19-2017).
Guest Lecture: "History and Identity in the Kulturbund Theatre" - University course on "Theatre and Film under the Nazi Regime". Location: University of Vienna (Austria). (1-11-2017).
From the Rubble to Renewal. Theatre in Occupied Berlin and Vienna, 1945-48. - Centre for Global History, Institut für Theaterwissenschaft. Location: University of Munich (Germany). (11-30-2016).
"First Responder" Artists, 1945-1948: Theatre--from the Rubble to Renewal. Location: IFK Internationales Forschungszentrum Kulturwissenschaften, Vienna. (10-24-2016).
Renewing a Legacy: The Jewish Cultural League in Nazi Germany . Location: University of York (UK). (6-02-2016).
Magna Carta 2015: Sites of Cultural Remembrance and Trauma - ASTR (American Society for Theatre Research). Location: Portland, Oregon. (11-08-2015).
The Jewish Kulturbund in Nazi Germany: Identity, Remembrance, and Repertoire - School of Culture and Creative Arts (Theatre Studies), and The Goethe Institute Glasgow (co-sponsor). Location: University of Glasgow (UK). (5-14-2015).
Parsing the "Jewish Question": Ethical Witnessing and the Theatrical Representation of the Holocaust - International Conference on George Tabori and the Theatre of the Holocaust. Location: University of Georgia (Athens, GA). (2-27-2015).
Theatre under Duress, An Assessment: The Jewish Kulturbund, and Theatre in the Camps - Theatre Under the NS-Regime. University of Vienna. Location: Vienna, Austria. (10-24-2014).
Engaging Art for Peace: Theatre and the Moral Imagination as a Dialogic Means for Ethical Witnessing - International Peace Research Association (IPRA) General Conference, Art and Peace Commision. Location: Istanbul, Turkey. (8-14-2014).
Re-rooting Berlin’s cultural landscape: Theatre and Politics, 1945-1949 - International Federation of Theatre Research (IFTR). Location: Barcelona, Spain. (7-22-2013).
The Jewish Kulturbund Theatre - Guest Speaker, Villa Wannsee. The Holocaust Theatre Collection (occasion of the 70th anniversary of the Wannsee Conference). Location: Berlin, Germany. (1-19-2012).

Awards & Honors

<div class="fp-award fp-container"><div class="aca-award">Senior Guest Researcher . Austrian Academy of Sciences, Vienna. Received: 2-12-2024.</div><div class="aca-award">Fulbright Specialist (2018-2023). US Fulbright Programs, World Learning, University of Vienna (Austria). Received: 6-30-2019.</div><div class="aca-award">U.S. Fulbright Scholars Program to Vienna, Austria, IFK Senior Fellow in Cultural Studies. Received: 12-31-2017.</div><div class="aca-award">Visiting Senior Associate Fellow (Trinity Term). Pembroke College, University of Oxford (UK). Received: 6-18-2016.</div></div>

Service

I served as the Editor of the Journal of Dramatic Theory and Criticism for four years (2015-2018), and remain on the Advisory Board for the journal:
See http://theatre.ku.edu/journal-dramatic-theory-and-criticism

I review articles for international journals; and grant proposals for international fellowship organizations.